Content and identity

The Norwegian Critics’ Association looks to the future and the Norwegian National Opera//\\\’’s activity in Bjørvika where ballet and opera for the first time in history will be art forms on an equal footing. Almost simultaneous to this, Dansen Hus will open its new premises at Vulkantomta in Grünerløkka in Oslo.

Which new opportunities and challenges does this introduce for the art of dance in Norway?
What are the objectives and what is the distinctive Norwegian quality of these institutions?
What position do Norwegian choreographers have in the repertoire (the National Ballet), which up until now has been dominated by international classics and foreign choreographers?
Collaboration between the National Ballet, Carte Blanche and independent dance companies?

In the panel:

Espen Giljane: Ballettsjef ved Den Norske Opera

Karene Lyngholm: Artistic and administrativa leader at Dansens Hus

Arne Fagerholt: Teatersjef Carte Blanche

Moderator: Annette Mürer